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There are ones like her mother who propagate it as is evident in her shrill diatribe against education and how it poisons women. For the women of Paruthiveeran including the rebellious Muthazhagu have been co-opted into the patriarchal fold. Or, the known devil - Paruthiveeran with his mockery-laced dialect and threats of dismembering her in the guise of love and affection.But it would take a lot more than love to break out of this pattern. The choice is between her ultra-casteist father who will choose her husband for the sake of propriety and glory of caste. What sets Muthazhagu apart is that she chooses the kind of violence she wants to make her home with. It peppers their everyday and is relished quite like that peppery rasam at the end of a meal by curious neighbours and onlookers, just cupping their hands out for more. And they engage in it as freely and frequently as the men do. Looking at the women of Paruthiveeran, you know that violence is scheduled in their lifestyle. Within such a stifling construct, she rebels. Or, the way the young lackey who hangs around Paurthiveeran speaks with such derision to women.īut it’s Muthazhagu who keeps me watching. Take for instance young Paruthiveeran’s lack of understanding of ‘consent’ when he kisses the girl Muthazhagu forcefully. A look at Gender Hegemony going hand-in-hand with casteism while perpetuating misogyny, and its prevalence in society.
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Paruthiveeran doesn’t make any pretences - this is a slice of life from our caste-steeped villages. But what makes it uncomfortable is that both the protection and predation stem from the need to possess.
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It’s instinct that sometimes comes in handy against the lurking perversions. Something that’s generationally passed down to us. It’s an instinct that we’re all familiar with. Maybe it’s because of the Social Media boom and how we get to hear opinions, thoughts and experiences of patriarchy being discussed openly around the world. It’s made us more attuned to such portrayals and pick up on the intention that has framed it in such a way - a woman as something to be protected and as belonging to someone. Muthazhagu ensconced among her family as she prays, says so much to me now than it did in 2007.
Paruthiveeran stills series#
She has also been a part of few famous web series and TV shows.Right from Scene 1 at the temple fair, things were unsettling. The actress has starred in several Tamil, Telugu, Malayalam and Hindi films. Priyamani is a recipient of the National Film Award for Best Actress and three Filmfare Awards.
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Apparently, Ayesha has sought a legal course in the matter and has also slapped a notice. My marriage with Priyamani happened in 2017, why was Ayesha quiet for so long?" Mustafa claims that he and Ayesha are living separately since 2010 and got divorced in 2013. She is simply trying to extort money from me. I am paying the children's maintenance to Ayesha regularly. We have not even filed for divorce and while marrying Priyamani, he declared in the court that he was a bachelor." Meanwhile, Mustafa said, "The charges against me are false. Mustafa and Priyamani's marriage is invalid. Ayesha in an interview with ETimes said, "Mustafa is still married to me. Priyamani had married Mustafa in a private ceremony on August 23, 2017. Famous South actress Priyamani, who made her acting debut with the Telugu film 'Evare Atagaadu' and became a household name with Tamil film 'Paruthiveeran,' is in the news ever since her husband Mustafa's first wife Ayesha alleged that her marriage is illegal since Mustafa did not divorce her before marrying Priyamani.